Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Monday, 6 April 2020

Publish and be damned

Controversy rages over whether Woody Allen's Memoir "Apropos of Nothing" should have been published, given he's now got a rather seedy reputation and seems to be something of an unrepentant misogynist. And given that it's published, should we buy it or read it?

Well, the irony is that according to those who've read it, like Catherine Bennett in the Guardian, it's not at all a whitewash job crushing all the accusations and portraying him as a jolly decent chap who's been unfairly maligned. On the contrary, it makes his rampant misogyny crystal clear and destroys his once shiny reputation.

In which case we should all be reading it to acquaint ourselves with his thoroughly predatory attitudes.

But the row once again raises the question, is it right to ban books, or any other artistic product, because of the off-stage behaviour of the person concerned?

To my mind, a person's artistic output should be judged on its intrinsic merit, and however reprehensible their personal life, that's an entirely separate issue.

Once you start saying a book should be boycotted because of the author's "misbehaviour", you're politicising it and weaponising it. Art shouldn't be a political football, it should be a cultural experience pure and simple.

Otherwise what's the difference between right-on politicos shunning the work of a "misogynist" author and a government banning a book it deems "immoral" or "subversive" or "unpatriotic"? They're both claiming the right to decide for the rest of us what's in the public interest and what isn't. And who gave them that right? Not me, for one.

All the controversy has just whetted my appetite to read the book and see for myself just how much unbridled lechery was hidden behind the charming facade.

PS: Here's a more positive review of the book - https://www.stuff.co.nz/entertainment/books/120726348/book-review-apropos-of-nothing-by-woody-allen

Friday, 27 May 2016

Biographies - no thanks

I seldom read biog-raphies. I admire people for what they've created or achieved, but in most cases the details of their personal lives are irrelevant to the things I admire. What they've given the world is usually unique and extraordinary, while their daily comings and goings are mostly much like anyone else's and of limited interest.

Marriage, children, affairs, divorce, drugs, alcohol, money problems, mental illness. We've heard it a thousand times before, and it sheds little light on their brilliant paintings or films or plays or music.

I love Mark Rothko's paintings, for instance, but does it help to know that he killed himself by slashing his elbows, that he drank and smoked heavily, that he had a tense relationship with his wife, or that he had a heart problem? No, it adds nothing unless you're into fancy theories about great art stemming from neurosis or whatever.

Most biographies aren't meant to illuminate the person's achievements anyway. They're usually just a way to trade on someone's fame with a money-spinning best-seller. And some are of dubious reliability, cobbled together from all sorts of questionable sources and sometimes actively opposed by the person's family who dispute much of the content.

Quite often biographies are simply an excuse to name-drop copiously - how X had a long-running spat with famous artist Y or was royally swindled by famous art dealer Z. The banality of the average biography increases of course when it's turned into a film with a string of dramatic set-pieces that distort the reality even further.

So no, I rarely read biographies. Why waste the time when I could be enjoying the things the person is actually celebrated for? I'm sure Lionel Shriver would much rather I savoured her books than read about her adolescent weight gain.

PS: But I do enjoy fictitious faux biographies like William Boyd's Sweet Caress.

Tuesday, 18 June 2013

Rotten writers

If writers can only create their master-pieces by being thoroughly selfish and mistreating their family and friends, is that a necessary price to pay or would they be better off writing less and being more likable?

An article today points out that although James Joyce wrote brilliant novels that are acclaimed all over the world, as an individual he was quite unpleasant. His wife Nora is said to have described him as weak and neurotic, ruining her life, drinking too much and squandering money he constantly cadged off other people.

The private lives of many other writers and artists have turned out to be equally unappealing and hard for others to cope with. Behind the glossy public image there is often a less savoury tale of long-suffering spouses and domestic mayhem.

It’s standard practice to play down their shocking personal behaviour and insist that it’s the necessary downside to works of genius that will be feted for centuries to come. In any case, their dissatisfied partners are always free to walk out and find someone more attractive.

There again, it can be argued that they just happen to be inadequate individuals, and their objectionable traits have nothing to do with being writers or artists. They could stop writing tomorrow, and still be a total pain in the arse. In fact their frustrated desire to write might make them even more obnoxious.

If they stopped writing, maybe they would just take up some other all-consuming interest that would make them just as selfish and just as careless about other people’s needs.

Some people would even suggest that their flawed private lives make their creative output more interesting. Doesn’t a book written by a notorious philanderer and drug-addict have more of a frisson than one written by a polite, neatly-dressed tea-drinker? And isn’t it impressive that they even managed to write these extraordinary books despite all their personal failings?

At the end of the day, I guess it’s simply a question of what others are willing to put up with. If their nearest and dearest are prepared to suffer all manner of indignities and mistreatment in the name of public esteem and a distinguished artistic legacy, then who is to say they shouldn’t? Is it any concern of ours?

Picture courtesy of the Missouri Review, University of Missouri